“Baby” Movie Review: Anand Devarakonda and Vaishnavi Chaitanya Shine in a Modern-Day Love Story
“Baby” Movie Review: Anand Devarakonda and Vaishnavi Chaitanya Shine in a Modern-Day Love Story
Directed by Sai Rajesh, “Baby” has been generating a lot of excitement and anticipation, mainly due to its chartbuster songs. Starring Anand Devarakonda, Vaishnavi Chaitanya, and Viraj Ashwin in lead roles, the film aims to explore the complexities of modern-day relationships and how they undergo transformation over time.
The storyline revolves around Vaishnavi (Vaishnavi Chaitanya) and Anand (Anand Devarakonda), two high school lovebirds hailing from a humble background in a slum. While Vaishnavi manages to secure admission to college, Anand fails to make it and eventually becomes an auto driver. As life moves forward, Vaishnavi experiences a significant transformation, both personally and in her appearance. During this period, she develops a closer bond with Viraj (Viraj Ashwin). Gradually, problems start to arise between Vaishnavi and Anand, and an unforeseen incident occurs, turning their lives upside down. The aftermath of this incident shapes the crux of the story and forms the basis for the film’s narrative.
“Baby” stands out with its portrayal of modern-day relationships, and director Sai Rajesh skillfully sheds light on this chosen topic by developing three intricately written characters, each unique in their own way. By the end of the film, audiences find themselves connecting with all three lead characters, owing to the effective writing and character development. Notably, the scene where Viraj and Anand meet for the first time is one of the movie’s biggest highlights.
The film’s second half is particularly compelling, offering a perfect blend of drama, emotions, and intense moments. “Baby” captivates viewers with its wonderful dialogues, striking a chord with the target audience. It contains several whistle-worthy moments, and the younger generation will likely resonate with many of the scenes. Some scenes are deliberately placed to impress the youth, and they succeed in leaving a positive impact.
Anand Devarakonda delivers an astonishing performance, tapping into his full potential as an actor. Through “Baby,” the audience witnesses Anand’s versatility, and he effortlessly breathes life into his character. The role is undoubtedly challenging, especially for a budding artist, but Anand excels, impressing audiences with his earnest and powerful performance.
Vaishnavi Chaitanya, as the leading lady, proves to be a revelation in this romantic drama. The young actress delivers a performance that speaks volumes about her talent and potential. Her character has been designed thoughtfully, and Vaishnavi performs admirably, particularly in the emotional scenes. Her phone call scene with Anand Devarakonda stands out as one of the film’s terrific moments. Viraj Ashwin also deserves praise for his solid performance. He manages to breathe life into his character, and it is arguably his best role to date, portrayed with precision and authenticity.
“Baby” is also notable for its remarkable music, composed by Vijay Bulganin. Each song in the film is exceptional, enhancing the overall impact, and the effective background score adds depth to many sequences, intensifying the viewing experience.
However, the film does have a few minor drawbacks. With a runtime close to three hours, “Baby” feels somewhat lengthy, and certain sequences, especially in the first half, could have been trimmed for a smoother and more enjoyable experience. Additionally, the contemporary nature of the film may not appeal to all audiences.
The film’s pacing is slow in the first hour, with the story gaining momentum in the pre-interval portions. While there are undoubtedly good moments and powerful dialogues, they are somewhat sporadic, and the pacing occasionally reduces the overall impact.
On the technical front, “Baby” boasts excellent music by Vijay Bulganin, a major asset that elevates the film significantly. Balreddy’ s cinematography is exquisite, and the visuals are aesthetically pleasing, particularly during the song sequences. The editing, however, could have been tighter in the first half to maintain a more engaging flow.
Overall, director Sai Rajesh deserves credit for his work on “Baby.” While the first hour might not be as strong, he compensates with a very well-crafted second half that blends intense emotional sequences with solid dialogues. Sai Rajesh skilfully extracts the best performances from his actors and effectively uses music to enhance the film’s impact. His dialogues are brilliant, possessing profound depth and meaning.
In conclusion, “Baby” offers a fresh and insightful perspective on modern-day relationships. The characters in the movie have depth because to the excellent acting by Anand Devarakonda, Vaishnavi Chaitanya, and Viraj Ashwin. The well-orchestrated second half, coupled with remarkable music and impressive writing, makes “Baby” a noteworthy film to watch this weekend. Though the film’s length and pacing could have been better managed, it remains a good choice for those seeking a thoughtful and engaging romantic drama.
